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From acclaimed director Antoine Fuqua (TRAINING DAY) and screenwriters Kurt Sutter ("Sons of Anarchy) and Richard Wenk (THE MECHANIC), SOUTHPAW tells the riveting story of Billy "The Great" Hope, reigning Junior Middleweight Boxing Champion of the World (Academy Award (R) nominee Jake Gyllenhaal). Billy Hope seemingly has it all with an impressive career, a beautiful and loving wife (Rachel McAdams), an adorable daughter (Oona Laurence) and a lavish lifestyle. When tragedy strikes and his lifelong manager and friend (Curtis "50 Cent" Jackson) leaves him behind, Hope hits rock bottom and turns to an unlikely savior at a run-down local gym: Tick Willis (Academy Award (R) winner Forest Whitaker), a retired fighter and trainer to the city's toughest amateur boxers. With his future riding on Tick's guidance and tenacity, Billy enters the hardest battle of his life as he struggles with redemption and to win back the trust of those he loves. (C) Weinstein
About Southpaw
Artist : Jake Gyllenhaal, Rachel McAdams, Forest Whitaker, Oona Laurence, 50 Cent, Skylan Brooks, Naomie Harris, Victor Ortiz, Beau Knapp, Miguel Gomez, Dominic Colon, Jose Caraballo, Malcolm M Mays, Aaron Quattrocchi, Lana YoungAs : Billy Hope, Maureen Hope, Tick Wills, Leila Hope, Jordan Mains, Hoppy, Angela Rivera, Ramone, Jon Jon, Miguel Magic Escobar, Mikey, Eli Frost, Gabe, Keith Buzzsaw Brady, Gloria
Title : Southpaw Volledige Film In Czech Ondertitels
Release date : 2015-07-24
Movie Code : 1937444
Duration : 123
Category : Action, Drama, Sport
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Comment For Southpaw Cinemas Lumiere
When boxing cliches work, they can deliver a knockout. When they don't, as in "Southpaw," we get just punch-drunk.
The melodrama is uncomfortably high; the checked-box plot is manipulative.
Compared to Gyllenhaal's fast, flinty turn in last year's Nightcrawler, this is simple stuff for him, suppressing the actor's natural craftiness into lugubrious Stallone-isms.
I wish I could say "Southpaw" was a knockout, or even a contender, that it went the distance or scored on points. But it's strictly an undercard bout, displaying enough heart and skill to keep the paying customers from getting too restless.
In bloody close-ups and bruising sounds, Fuqua captures the blinding brutality inside the ring. But his faith is never in question: This is a parable that believes strongest in boxing, itself.
Southpaw is well made, but too conventional to skip the victorious ending or leave that kind of indelible impression. Gyllenhaal though? He's no lightweight.
"Southpaw" is all about the fist. There's no delicate footwork here, no lingering grace notes. It's a film played entirely in power chords.
As a troubled slugger, Gyllenhaal is impressively muscle-bound, but gives no knockout performance. His work drags on like 12 rounds of fistfight fatigue.
This isn't great cinema, but it's satisfying movie-making, with nothing more on its mind than telling a heart-tugging story.
Even when we're aware our emotions are being manipulated, we're rooting hard for Billy Hope to beat the odds and climb the mountain, because have you seen how movie-adorable his daughter is? Don't they deserve some happiness?
I veered between being awed and appalled, though mostly the latter.
"Southpaw" is proof of contrivance's clout, but there is a limit to what it can do.
You have to admire a fight picture in which the thrill of victory and the agony of defeat both arrive outside the ring.
In the end "Southpaw" knocks itself to the mat.
Southpaw is an exhausting brutalist melodrama, but if nothing else, Fuqua always works with fine actors, and he's got a passel of them here.
Southpaw isn't content with presenting a gallery of cliched characters. It takes the time to put flesh on the bones.
The script may have hamburger for brains, but Fuqua slams it home with the help of actors who give their all - even when giving a little less might have made things more interesting.
"Southpaw," a boxing movie with a theme of redemption, is redeemed by the performances of its two main actors, Jake Gyllenhaal and Forest Whitaker.
Although "Southpaw" has some punch, it's not exactly coming from left field.
The intense, raw acting skills of Gyllenhaal, and strong performances from Forest Whitaker and young actress Oona Laurence, save "Southpaw" from getting lost in its cliches.
"Southpaw" may be rote, predictable and mawkish, but none of those faults lie in its star. Even when he looks like an unholy mess, he transcends the movie he's in.
a retro, in-your-face fight drama that dribbles into sappiness. Much, though far from all, is redeemed by Gyllenhaal's virtuoso performance.
Southpaw doesn't try to reinvent the boxing-movie game - in fact, it pretty much indulges every cliche - but it's the intense central performance from a beefed up, ripped-to-the-core Jake Gyllenhaal that gives it distinction and heart.
Despite its supposedly hard-hitting veneer, the film never goes out on a limb when it counts.
What this movie really is at heart is just a good-natured, perfectly decent, meat-and-potatoes palooka.
Every plot turn is as telegraphed as a tomato can's jab. I didn't care: Enough of it felt earned to me that Southpaw wins on points.
Southpaw sticks to tried-and-tested genre rules, yet an edgy cast - led by formidable leading man Jake Gyllenhaal - keeps the story in sharp focus.
The modicum of pleasure delivered by "Southpaw" arrives thanks to its cast, who struggle bravely and energetically with the hopelessly bland text and the invisible, impersonal direction.
Moving effortlessly between big Hollywood movies and modest New York stage vehicles, [Gyllenhaal has] turned into quite an actor. Few stars make such concentrated efforts to improve their craft while rising through the ranks of stardom.
The undeniable intensity of Gyllenhaal's bulked-up, Method-mumbling performance may leave you feeling more pummeled than convinced in this heavy-handed tale of redemption .
All of Gyllenhaal's discipline and drive is misdirected; it's wasted energy, a cinematic rope-a-dope.
"Southpaw" goes beyond the specifics of boxing and becomes a universal story about tragedy and grief.
Just as director Antoine Fuqua starts to close in on something interesting and unexpected, he retreats to the safety of his corner and gives us what we've seen too many times before: a predictable flurry of melodramatic jabs.
This is a genre with especially sturdy bones, and when "Southpaw" connects, which is more often than you might expect, you feel it down to your toes.
Call him "Joltin' Jake" Gyllenhaal, because the actor adds needed presence and punch to the melodrama of Southpaw.
The film is set up like a straightforward redemption story, but what makes Southpaw interesting is the complexity of Hope's character - thanks to Gyllenhaal's exceptional performance.
The trouble with how hard Gyllenhaal goes in Southpaw is that he's in the service of weak material, so you notice the effort.
What keeps this cornball business from getting out of hand is the commitment of Gyllenhaal, whose performance is fierce and muscular, in and out of the ring.
As for the in-the-ring bob, weave, clash, clutch? Well, those disappointed by May's impossibly hyped Mayweather-Pacquiao bout should enjoy the care director Fuqua takes in delivering the sweet science to the big screen.
"Southpaw" is a tremendous accomplishment of mainstream cinematic craft, a near-perfect match of director, material and star.
It's Gyllenhaal - physically ferocious yet tenderly forlorn - who sells the movie, putting both the beast and the heartbeat within on full display.
It's a win for Mr. Gyllenhaal, while the movie loses out to its cliches.
If you come to terms with the fact that Southpaw doesn't bring any ideas to the canvas that are any newer than Wallace Beery, this is an energetic enough fight picture to capture the imagination.
It brings back every stale genre convention you can think of, then hopes you won't recognize predictability pumped up with swearing and steroids and an Eminem song during the training montage.
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